Do share your thoughts about which microphone you prefer and why in the comments below. Using available knowledge of the U87i circuit, Warm matched component values across the board using WIMA film capacitors, polystyrene capacitors, tantalum capacitors, and Fairchild FETs. (See our U87i vs U87Ai shootout .) The WA-87 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. This field is for validation purposes and should be left unchanged. Mics that sound this close to their highly coveted, high quality counterparts, but with a cheaper price tag are a no-brainer, especially for remote recording. It is Warm Audio’s first microphone. Finally lets take a look at the guitar amp examples. In the Warm Audio WA-87, there wasn’t quite as much response in the 60 Hz to 120 Hz range compared to the U87 Ai. Three polar patterns (cardioid, omni, and figure 8) make sure you’re covered for a wide variety of applications, and an 80Hz high pass filter reduces low-frequency rumble if needed. The new mic's frequency response is said to even closer match that of the Neumann U87, and its output level has also been increased. Simply put, the release of the WA-87 changed the industry’s perception of what could be achieved at an affordable price. Warm Audio is a gear manufacturer that strives to emulate the sound quality of vintage high-end gear, but with a much smaller price tag. It was our first microphone and a verifiable hit, and in recent years we’ve followed it with many other successful and ground-breaking designs. Let’s check out some more samples to see how the other mics stack up to their vintage counterparts. Recording A Rock Snare Drum Using A Blend Of Three Microphones - Free Tutorial. We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. We spent countless hours trying to get even closer to the sound of the vintage version than we had with the WA-87, so the new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. After the session, I trimmed the beginnings and ends of each artist’s original song then used clip gain to even out volumes so that I could get the best A/B comparison possible. In other Warm Audio news, the company's popular API-inspired WA12 … Again, these look really close, but we can see (and hear if you check out the examples) that the C 414 EB has a touch more top end. Everything about the WA‑87’s marketing demands that it be judged primarily on how well it mimics the Neumann U87. Thanks again to Bryan Drewyor, Sarah Pray of indie folk band Carrellee, Kaia Kalise, and Sam Ness for giving their time to play and sing for these comparison tests. In this table we reveal which microphone was used for which examples and the results of each poll showing which example you prefered…. Trusted content from independent music and post production experts. The frequency response of the WA87 is from 20 hz – 20k hz max SPL. Overall these are looking pretty close too, but there is a bit of a difference in the 3 kHz and 9 kHz areas as well. It was built in effort of creating a clone of the popular U87 microphone from Neumann, while maintaining affordability. The WA-87 proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate/dual diaphragm capsule found in the early ‘87 microphones. Does It Matter? Just like the vintage microphone, the WA-87 R2 excels at recording virtually anything. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. That’s my thoughts and observations, but what about you? The Peluso has a boost in that range so I usually avoid this mic on sibilant singers in favor of something darker. At the end of the day, use your ears and choose whatever works for your particular situation. For these more acoustic-based genres, I actually like this slight dip in the low frequencies since this is an area I tend to pull back with EQ or multiband compressors a bit anyway. Most of the difference I’m hearing between the Peluso and the WA-47 is at around 10 kHz. Nowadays, it seems only fair to crown Warm Audio the king company, in … The switchable -10dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. Value. Born out of need . Moving onto the vocals…. With authentic vintage warmth and a smooth detailed top end, we truly believe this mic performs on par with microphones costing five times as much or more. We wanted to see how some of their microphones compared to their vintage counterparts and so we tested four microphones…, Warm Audio WA-87 FET Condenser Microphone against Neumann U87 Ai, Warm Audio WA-14 Condenser Microphone against the AKG C 414 EB P48, Warm Audio WA-47 Tube Condenser Microphone against the Peluso 22 47 LE, Warm Audio WA-47jr FET Condenser Microphone against the Peluso 22 47 LE, Neumann U87 Ai on the left and Warm Audio WA-87 on the right, AKG C414 EB P48 on the left and Warm Audio WA-14 on the right, Warm Audio WA-47 on the left and Peluso 22 47 LEon the right. The WA-47 was closer to what I would prefer, though I would still pay attention to sibilance when auditioning this mic on a singer. Buy Warm Audio WA-87 R2 Multi-Pattern Condenser Microphone (Nickel) featuring Cardioid, Omnidirectional, and Figure-8, Higher Output Level over Original, Better Frequency Response over Original, Nickel-Plated Brass Body, Rounded Head for Better Sound… The WA87 has the same clarity that a Neumann TLM 103 offers but it cuts out the harshness in the high end making it more superior! Frequency Response. You can learn more about how the tests were conducted in the first article and also listen to the samples too. (Optional flight case available), Color: available in nickel or black finish. The result is an incredibly accurate sonic replica of arguably the widest-used studio microphone in popular recording history! Nonetheless, Warm Audio … Copyright (C) 2020, http://www.pro-tools-expert.com/default-image.jpg, Plug-in Subscription Plans - Free Calculator, Large Diaphragm Condenser Mics As Stereo Drum Overheads - Expert Test, Warm Audio Announce BUS-COMP - A New Twin Channel VCA Bus Compressor, Winner - A Warm Audio WA-251 Tube Condenser Microphone Worth £810. Like its predecessor, the WA-87 R2 is a condenser microphone with three polar patterns(cardioid, omni and figure 8). Since then, the WA87 … The WA-87 R2 is now encased in a heavier, stronger and larger nickel-plated brass body, and the new rounded head basket shape adds additional space around the capsule for a more pleasing sonic signature. For the price point, this is an incredible mic. One is a tube (the Peluso), and the other is a transformerless condenser (the WA-47 jr). The WA-87 R2 works brilliantly on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more. No matter what else you’ve got in your mic locker, the WA-87 R2 is sure to become one of your favorite go-to microphones! The frequency response of the K870 capsule is specified within a tolerance of ±2dB, so in theory, two Neumann capsules could differ by as much as ±4dB across the frequency range and still be within factory specs. On par with other Warm Audio products, the WA-87 holds a very high value in comparison to its quality. We’ve used everything we’ve learned about recreating vintage microphones in the last five years to bring it even closer to the sound, vibe and performance of the original 60s classic we all know and love. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. There’s an 80 Hz high pass filter to get rid of low-frequency rumble, and a switchable -10 dB pad for recording loud sources. Not only that, it’s the same price as the original WA-87, so you can afford to have several in your mic locker! Since the release of the WA-87 in 2016 we’ve learned a bunch more about microphone manufacturing, and we’ve proven that we can shatter the industry’s quality expectations at affordable prices. The graphs are pretty similar, but the biggest difference I noticed during the tracking sessions was in the low range. For these more acoustic-based genres, I actually like this slight dip in the low frequencies since this is an area I tend to pull back with EQ or multiband compressors a bit anyway. The Warm Audio WA-87 is a side-address, transformer balanced, multi pattern condenser microphone. Large diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit, ALL DISCRETE PREMIUM COMPONENTS, INCLUDING A NOS FAIRCHILD TRANSISTOR AND WIMA/NICHICON CAPACITORS, WA-87-B-50V capsule—reproduction of classic dual backplate (four-wire termination) K87 capsule, Three polar patterns: cardioid, figure-of-eight, and omnidirectional, SPL: .5% THD @ 125dB (without pad), 132dB, Diaphragm: 6-micron thickness, gold-sputtered membrane, NOS mylar (PET film), Included accessories: wooden storage case, hard mount, and shock mount. The WA-87 was conceived as a recreation of Neumann’s long-discontinued U87i, thought by many audio … The Neumann U87 comments below guitar and vocal examples from Bryan Drewyor and Kaia.... Reveal which microphone was which for each example and share the results of poll! 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warm audio wa87 frequency response

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